Anne Blandford, 1791 and later.

114 poems, mostly occasional.

Mostly verses by Hannah More and her circle. 

Anonymous, late eighteenth-century.

29 poems on the First Line Index.

Collection of poems by various authors, riddles, parodies, etc.

Anonymous Oxonian, 1790s.

Some items possibly marked for copying.

214 poems.

Lots of Latin poetry, and English poetry with Greek titles.

Gabriel Lepipre, ca. 1750. 

246 poems. 

Good example of miscellany as autobiography; also includes lots of epitaphs.

Mary Tadwell, 1744–1761. Taken over by John Watson Tadwell in a clear effort to continue/complete Mary Tadwell's work.

Three volumes composed roughly chronologically.

167 poems.

Contents heavy on riddles, acrostics, songs; frequent country-city theme, but with no sense of a specific country locality.

Eliza Chapman, 1788-89.

87 poems.

Contributions by Scriblerus, Eliza Chapman's suitor. 

Horatia Nelson (16 years old), 1817.

100 poems.

Quite a banal book but a good indication of what poetry was popular, including some poems on the Napoleonic wars, and Irish/Scottish materials.

Anonymous, 1786–1798.

120 poems.

A very feminocentric collection with many female-authored work.

Tighe family coterie; Cavendish-Ponsonby-Crewe network.

Emma Puleston, ca. 1819–1822.

Decorated with watercolours.

147 items, 100 poems.

Many very short sayings, and items related to Waterloo and the Irish rebellion representing a patriotic British stance. 

Anonymous, ca. 1741.

147 poems.

Many epitaphs, epigrams, and satires.

Daniel Wray circle.

Mr. Stocker of Portsmouth, ca. 1753–1780.

Lots of orginial material.

260 poems.

Much local content; clearly a supporter of the Opposition in the 1730s and 40s.

Anonymous (probably from Scotland), 1737–ca. 1740.

415 poems

Many religious/devotional poems.

John Dixon, ca. 1780–1817.

Six volumes.

Popular eighteenth-century poetry.

Anonymous, ca. 1805–1817.

340 poems.

Themes of love, support for the oppressed (slaves, Irish peasants, workhorses, foundlings, animals in general, etc.), consumption.

Maybe part of local network as some pieces attributed to single initials. 

Louisa Grey, ca. 1780s.

Some items specified as not for circulation. 

150 poems.

Many poems about women, love; some epitaphs.

Rev. Thomas Austen, 1760.

Three volumes, only the first two of which are manuscript verse miscellanies, and therefore included in this entry.

768 poems. 

A real variety of contents. The first volume revolves around poems about various natural elements and experiences of country life. The second volume

Anonymous, ca. 1745–1780.

An example of a collection that includes print paste-ins, perhaps added at a a later date onto the blank pages.

90 items, 48 poems.

Post-1745 Jacobite-related material.

Benjamin Coles, ca. 1729–1741.

A more mixed book compared to Lt 53 which is by the same compiler, and entirely devoted to poetry.

108 items, 66 poems.

Many songs, religious poems.

Joshua Peart, 1726.

256 poems.

A large eclectic book with a special concentration of pastoral poems and songs, political satire and other poems about politicians, and humorous poems; also contains multiple poems about alcohol and tobacco.

Revd. William Heath Marsh, ca. 1810.

~100 + ~85 = ~185 poems.

Volume 1 consists primarily of copied poetry, especially pastoral and morality poems or poems with classical themes; volume 2 contains much more original poetry, poems related to public affairs, and references to a Norfolk social network centred around Marsh and Thomas and Mary Blofeld.