Philip Yorke 2nd Earl of Hardwicke, ca. 1756. Principal figure in Yorke-Grey coterie.

12 items—11 original or local poems, 1 Latin paste-in.

Sonnets.

Thomas Binns, 1789–1799.

"Collection of Poems" numbered Vols. II and III, and "Miscellaneous Manuscripts" numbered Vols. 3 and 4.

117 + 74 + 112 + 116 = 419 items, numerous very long poems.

Quaker writings; political themes (anti-war, anti-slavery, pro-revolutionary); sentimental poetry and poetry about nature.

Anonymous, ca. 1780.

15 items.

Approximately half Latin poetry + four Shenstone poems and one tribute to Shenstone.

Shenstonian pastoral; university poetry.

Mrs. Ogle, ca. 1747.

32 items.

Sequence of names and hands suggests it was originally a book of 24 poems compiled by Mrs. Ogle as a gift; then the recipient, possibly Mary Dyott, added 8 items, and a later hand contributed a few additions.

Lighthearted poems about love; some satire of manners, marriage.

Anne Watkins, ca. 1731.

32 items (23 are excerpts from Paradise Lost and 4 are Stephen Duck poems).

New Year's theme of reflection and self-improvement.

Anonymous, ca. 1760.

Unbound.

103 items.

Broad range of subjects organized thematically (e.g. divine poems, hymns, drinking themes, court characters, etc.) 

Anonymous, early nineteenth-century.

19 poems.

Primarily sentimental poems, many written by Edward Venn and C.A. Venn on such subjects as passions, nature, friendship, and solitude.

Anonymous, with illustration by Mary Rogers, 1808.

37 poems. 

Two of the three sections are poems by "Bree," "Nadine," and "Rio" composed for "Employment" during winter 1808. 

Pastoral poems; conduct, morality poems; poems about domestic life and nature.

John Waite, ca. 1800.

In a single hand up to f. 139 when two other hands take over for the last twenty folios. This entry considers only the first hand's section of the manuscript. 

139 folios.

Lyrics, fables, and occasional verse. Multiple poems about violets. 

Anonymous, with poems by Maria Banks Riddell and poems about Mary Tighe, 1814–1816.

46 poems, all original to the manuscript.

Primarily narrative poems on mythical creatures or historical subjects, and poems about nature; also includes many fables, love poems, and poetic renditions of the Psalms. 

Anne Butler, begun in 1806.

186 pages.

Elegies, epitaphs, and poems on death, friendship, moderation, hope and female virtue.

Mary Harris Cornwallis, ca. 1790–1820.

Approximately 108 poems.

Many occasional poems by the compiler and her family; this manuscript is also packed with print insertions, many of which are (prose) news items about the deaths of royals.

James Forbes, 1766–1800. 

This entry concerns only the first volume, as the second is entirely prose. 

151 poems.

Poems on various subjects, including many on death and women, but also conduct, retirement, nature, and slavery. 

Anonymous, 1781–1794.

66 pages.

A collection of relatively common contemporary English poems, with an interest in natural landscapes, the ephemerality of life, Romantic themes of exile, hermits, etc. A few items related to music.

Anonymous, 1811–1818.

Over 100 poems.

Largely poems on nationalistic subjects, others focused on serious and sentimental subjects like nature, death, friendship, and religion. 

Daughter or granddaughter of Elizabeth Amherst Thomas, 1798.

46 poems.

Entirely original Elizabeth Amherst Thomas poems compiled retrospectively, often whimsical, witty, resisting stereotypes about women.

Anonymous, ca. 1755–1765; owned by Mrs. Sophia Wallis early nineteenth-century.

Very plain and incomplete.

8 poems.

Anonymous, ca. 1783. 

102 poems.

Moralizing book with some lighter poems; many items sourced from "L—'s Miscellany," and many items from the 1760s. 

Mary Marshall, 1805.

75 items.

Mostly popular songs.

Note from Harriet Binny endorsing Polly's taste in compiling her book suggests the manuscript circulated among friends.

Eliza Chapman, 1788-89.

87 poems.

Contributions by Scriblerus, Eliza Chapman's suitor. 

Elizabeth Munbee, 1745.

16 poems.

Miscellaneous collection of poems by popular poets like Samuel Wesley, Jonathan Swift, Alexander Pope, and Nicholas Rowe.

Mrs. Stapleton for Miss Mary Arnold, ca. 1780s–1790s. 

212 poems.

A gift for formal or informal educational use. A lot of riddles and poems about flowers; emphasis on items written by young ladies. Most items about or intended for women.

Mary Woodyeare Tibbits, ca. 1800.

A later owner, Mary Isabella Hood, used the volume to press flowers and leaves.

113 poems.

A book structured upon the narrative of her life, almost entirely original poems.

John Sanderson, 1787–ca. 1816, with one entry from 1832.

Four volumes, but this entry concerns only the first three (the poetry miscellanies).

121 poems.

Translations of Latin poetry, humorous poetry, apparently all original.

Jane Griffies Roscoe, 1774–1790.

200 poems.

Interest in female poets and women-centered poetry.

Horatia Nelson (16 years old), 1817.

100 poems.

Quite a banal book but a good indication of what poetry was popular, including some poems on the Napoleonic wars, and Irish/Scottish materials.

Associated with Penelope Judith Maitland, daughter of Col. Maitland

30 poems.

Attention to aesthetic features; themes of friendship, sentimental love, poverty, despair and hope.

Verses collected by John Dixon ca. 1780–1817, then copied posthumously by his daughter, Judith Dixon Beecroft.

Six volumes.

Popular eighteenth-century poetry.

Mary Gay, 1801–1809.

324 items.

Preference for humorous pieces; some riddles. 

Anonymous, ca. 1765.

29 items.

Coz. Widow Davis gives compiler a Shenstone manuscript ca. 1752.

Lighthearted poems (many about public affairs) with some social satire. 

Samuel Church, 1786.

2 volumes, 33 poems.

Rather crude homemade bindings showing stab-stitching and stitching along spine.

Mainly poems about death and/or religion. Vol. 2 expands to include more social topics. 

Rev. Thomas Austen, 1760.

Three volumes, only the first two of which are manuscript verse miscellanies, and therefore included in this entry.

768 poems. 

A real variety of contents. The first volume revolves around poems about various natural elements and experiences of country life. The second volume

Anonymous, 1780.

55 poems.

Mainly devotional or conduct related poems, some describing Bristol and Quaker life. 

Hester Thrale Piozzi, ca. 1810.

50 poems.

Entirely or almost entirely original poetry, many occasional. 

Lady Charlotte Susan Maria Campbell Bury, ca. 1815.

Many materials acquired through manuscript transmission; full of evaluative commentary. 

90 poems.

Very Scottish in contents, reflecting Lady Charlotte's life in Edinburgh before 1810.

Lady Charlotte Campbell Bury's circle.

Anna Eliza Grenville, Duchess of Buckingham and Chandos, 1811–1832.

A mix of copied poetry and clippings.

33 poems.

Mostly poems about political events and nature.

Anonymous, ca. 1740s.

73 poems.

Seemingly a woman’s book with themes of nature, courtship, public affairs.

E. Beardwell, 1724.

31 poems.

Pastorals, georgics. 

Revd. William Heath Marsh, ca. 1810.

~100 + ~85 = ~185 poems.

Volume 1 consists primarily of copied poetry, especially pastoral and morality poems or poems with classical themes; volume 2 contains much more original poetry, poems related to public affairs, and references to a Norfolk social network centred around Marsh and Thomas and Mary Blofeld.

John Liptrott, ca. 1786. 

215 items, 151 poems, many of which are introduced with lengthy prose anecdotes or critical prefaces. 

Contents include satires of social issues and political corruption, historical anecdotes supporting Church of England, nature poetry, recollections of favourite dogs.