Folger MS N.b.3
Title | Miscellany Poems with Two Plays by Ardelia |
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Archive | Folger Shakespeare Library |
Call Number | Folger MS N.b.3 |
Complete | Yes |
Description | Anne Finch, Countess of Winchilsea, ca. 1685–1701 or 1702. 109 poems. Poems and plays. |
Format | Folio |
Book Size | 37cm x 23cm |
Filled Page Count | 320 pages |
Item Count | 111 |
Poem Count | 109 |
Periods | |
First Line Index | Yes |
Digitized | Yes |
Region | |
Additional Genres | Prose preface, Theatre |
Print Sources | |
Major Themes |
Major themes prominent among the manuscript contents in alphabetical order. |
Minor Themes |
Other themes of interest among the manuscript contents in alphabetical order. |
Links | |
Bibliography | Finch, Anne. The Cambridge Edition of the Works of Anne Finch Countess of Winchilsea Early Manuscript Books. ed. Keith, Jennifer; Kairoff, Claudia Thomas, vol. 1, Cambridge University Press, 2019. |
Citation |
“Folger MS N.b.3.” Manuscript Verse Miscellanies, 1700–1820, edited by Betty A. Schellenberg, Simon Fraser University, https://mvm.dhil.lib.sfu.ca/manuscript/383. Accessed . |
Created | 2020-09-03 9:31:54 AM |
Updated | 2023-07-25 11:09:30 AM |
Contributor | Role |
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Anne Kingsmill Finch | |
Heneage Finch |
First Line | Context |
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Blest be the Man! his Memory at least |
p. 12. Local title: To a friend in praise of the invention of writing letters. Attributed author: n/a Adaptation: n/a Other variants: n/a Other: n/a |
How gaily is at first begun |
p. 254 Local title: Life's Progress. Attributed author: n/a Adaptation: n/a Other variants: n/a Other: n/a |
Sure of Success, to You I boldly write |
p. 4 Local title: A Letter to Daphnis Attributed author: Anne Finch, Countess of Winchilsea Adaptation: n/a Other variants: A letter to the same person. October 21, 1690. Other: n/a |
What art thou, Spleen, which everything dost ape? |
p. 52 Local title: `The spleen' Attributed author: Anne Finch, Countess Winchilsea Adaptation: n/a Other variants: n/a Other: n/a |
Feature | Note |
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Author attributions | Regular; two attributed commendatory letters, and the rest of the work is original to the compiler—though not individually attributed, this is understood from the preface. |
Binding | Original paneled calf sides. Subsequently rebacked. |
Hands | Single (Heneage Finch's hand), with several corrections in Anne Finch's hand. |
Indications of use | Frequent ink cross-outs and corrections. “Appears to address a wider audience” than the Northamptonshire manuscript (Keith, p. lxii) — two introductory layers ie. the two commendatory poems and the preface (Keith, p. lxiii). Pencil crosses next to items throughout the manuscript. Pencil annotation on title page says "All the poems marked thus (+) are printed." |
Item formatting | Double lines between items. Single lines under titles. |
Organization | The two plays are bound midway through the folio ie. at the book’s centre (Keith, p. lxv). |
Original poetry | Yes, all original to Anne Finch. |
Ownership mark | Many pencilled annotations by Sir Edmund Gosse (nineteenth-century). An autograph letter of Richard Garnett tipped in. |
Page layout | Paginated (by the compiler, in the margins). Margin rules in ink. |