Thomas Binns, 1789–1799.

"Collection of Poems" numbered Vols. II and III, and "Miscellaneous Manuscripts" numbered Vols. 3 and 4.

117 + 74 + 112 + 116 = 419 items, numerous very long poems.

Quaker writings; political themes (anti-war, anti-slavery, pro-revolutionary); sentimental poetry and poetry about nature.

Soame Jenyns, 1730.

19 items.

Perhaps a retained copy of poems written for Robert Harley, Earl of Oxford, his daughter Margaret Cavendish Harley, and her circle of friends (presentation copy is British Library Add. MS 70494).

Flattery, panegyric.

Mary Hilhouse, 1768–1769.

All in a single hand except the first item, which is the first three books of Pope's Essay on Man.

65 items.

Generally serious, moral poems; some essays or essay extracts taken from The Spectator.

Anonymous, ca. 1760.

Unbound.

103 items.

Broad range of subjects organized thematically (e.g. divine poems, hymns, drinking themes, court characters, etc.) 

Stephen Barrett, 1770-1794.

Gift from Cuthbert Wilson with a presentation poem.

45 items.

Original poems in Latin and English, mostly by Barrett, including school exercises; translations by Barrett of early modern and eighteenth-century English poems into Latin.

Anonymous, 1751.

58 poems.

Collection of poems by various authors, mainly religious.

Gabriel Lepipre, ca. 1744–45. 

252 poems.

Mostly sociable verse, especially arising out of interactions with women, and public affairs. 

Anne Dickinson, 1787.

Only considered as a miscellaneous verse manuscript up to p. 146 (/338) because the later section is in different hands, and is dated after 1820. 

95 poems.

Many poems about couples where one of the two dies; very much a women’s manuscript, with themes of love, conduct, friendship, pets etc.

John Freeman Milward Dovaston, 1773 and later.

Separate title page at the end for Odes by Thomas Gray.

75 poems, many original. 

A mix of English and Latin poems and mottos with a particular interest in classical figures and religious belief.

Anonymous member of the Porter family, late eighteenth-century.

4 volumes, 2039 poems. 

Contemporary poetry, many items commonly included in manuscript verse miscellanies. 

E.H., early nineteenth century.

23 poems.

Primarily sentimental subjects such as death, religion, and family, with a few more satirical entries.

Charles Parr Burney, ca. 1803. 

354 pages.

Primarily elegies, love poems, and occasional verse, with some patriotic and religious verse, and short comic verses. 

A large section copied from a Crewe Hall album composed during the 1780s, reflecting the work of the Crewe coterie. 

Hester Bradley, 1807–1810, with two poems added in 1831. 

49 poems.

Occasional poems and poems about friends and family, all with a Quaker bent. 

James Forbes, 1766–1800. 

This entry concerns only the first volume, as the second is entirely prose. 

151 poems.

Poems on various subjects, including many on death and women, but also conduct, retirement, nature, and slavery. 

Frances Glanville Boscawen and Julia Evelyn, begun in 1746.

120 poems.

Popular and original poetry on various themes. Large section of Lady Mary Wortley Montagu.

Member of Pigott family, ca. 1750.

117 poems in two consecutive hands.

Jacobite poetry.

Thomas Phillibrown, 1740–1757.

Divided into sections according to odd and even numbered pages.

152 poems.

Very London oriented (Public affairs, local interest, celebrities). 

Reflects a mid-century coterie centering around John Hawkins and Moses Browne.

Eleanor Peart, 1768.

Organized chronologically and thematically.

182 poems. 

A high proportion of original poetry; strong emphasis on the pastoral including the use of pastoral pseudonyms.

Peart-Bate coterie.

Gabriel Lepipre, ca. 1750. 

246 poems. 

Good example of miscellany as autobiography; also includes lots of epitaphs.

Anonymous female member of John Graham Clarke household, ca. 1752–1766.

66 items.

Interest in women's conduct and morality.

William Taylor of South Weald, ca. 1730.

61 poems.

Miscellaneous poetry collection including many Latin and Jacobite-related poems, in addition to original poetry. Irregular folio numbering suggests a post-bound compilation.

Soame Jenyns, 1729.

Presentation copy of Beinecke Osborn c147, only slightly different contents. Poems written for Margaret Cavendish Harley, her father, Robert Harley, Earl of Oxford, and her circle of friends. 

18 items.

Flattery, panegyric. 

Elizabeth Sarah Wilmot, 1744–1784.

52 poems.

Original compositions of Elizabeth Sarah Wilmot and her mother, Sarah Wilmot. Many poems about female friends and family.

Anonymous, ca. 1709–1712.

57 items.

Very author oriented, with source attributions.

Ann Bromfield, ca. 1740–1748.

42 poems.

Sentimental poetry, epistolary fiction.

Mrs. Stapleton for Miss Mary Arnold, ca. 1780s–1790s. 

212 poems.

A gift for formal or informal educational use. A lot of riddles and poems about flowers; emphasis on items written by young ladies. Most items about or intended for women.

Catherine Tuthill Massy, ca. 1795.

46 poems.

A young Irish lady's book, themes of anti-slavery, interest in captives in India, sufferings of Ireland.

John Brewster, ca. 1770–ca. 1810.

130 poems.

Frequent epitaphs, poems on death. 

Mr. Stocker of Portsmouth, ca. 1753–1780.

Lots of orginial material.

260 poems.

Much local content; clearly a supporter of the Opposition in the 1730s and 40s.

Verses collected by John Dixon ca. 1780–1817, then copied posthumously by his daughter, Judith Dixon Beecroft.

Six volumes.

Popular eighteenth-century poetry.

Anonymous, ca. 1773-1806.

Crowded, no margins, looks more like a commonplace book than a usual poetry miscellany.

361 poems.

Enormous amount of material compiled over many years roughly chronologically.

Anonymous, ca. 1805–1817.

340 poems.

Themes of love, support for the oppressed (slaves, Irish peasants, workhorses, foundlings, animals in general, etc.), consumption.

Maybe part of local network as some pieces attributed to single initials. 

Anne Finch, Countess of Winchilsea, ca. 1685–1701 or 1702.

109 poems.

Poems and plays.

Louisa Grey, ca. 1780s.

Some items specified as not for circulation. 

150 poems.

Many poems about women, love; some epitaphs.

Hester Lynch Thrale Piozzi, 1810–1814.

Five volumes for her adopted nephew, but only the first three are primarily poetry, and therefore considered manuscript verse miscellanies. 

Largely original occasional poems accompanied by prose biographical material and information about the circumstances of each item's composition. 

Hester Thrale Piozzi, ca. 1818.

183 poems.

Mostly other authors, some original work, often addressed to her daughters.

Robert Beere, ca. 1740s.

Very good example to look at organizing systems because he uses thematic, length, alphabetical, etc. to varying degrees throughout the book.

 338 items.

Many items are short aphorisms or epigrams; much in nature of advice literature; various pieces on the nature of man (the human state).

Anonymous, ca. 1740s.

73 poems.

Seemingly a woman’s book with themes of nature, courtship, public affairs.

E. Beardwell, 1724.

31 poems.

Pastorals, georgics. 

Joshua Peart, 1726.

256 poems.

A large eclectic book with a special concentration of pastoral poems and songs, political satire and other poems about politicians, and humorous poems; also contains multiple poems about alcohol and tobacco.

Anonymous, 1730.

19 poems.

Primarily religious and sentimental poems with six pastorals by Ambrose Philips.

William Tighe, ca. 1815.

25 poems.

Mainly light-hearted original poems on such subjects as love, theatre, and furniture.

Richard Porson, ca. 1780.

Includes a second section of bound-in separates with its own Table of Contents.

75 poems in the first section + 52 in the second.

Jacobite- and Cambridge-related material.