Chawton House 4946, MAN WIL
Title | Untitled |
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Archive | Chawton House |
Call Number | Chawton House 4946, MAN WIL |
Complete | Yes |
Description | Elizabeth Sarah Wilmot, 1744–1784. 52 poems. Original compositions of Elizabeth Sarah Wilmot and her mother, Sarah Wilmot. Many poems about female friends and family. |
Format | |
Book Size | |
Filled Page Count | 164 pages |
Item Count | 52 |
Poem Count | 52 |
Periods | |
First Line Index | No |
Digitized | No |
Region | |
Additional Genres | |
Print Sources | |
Major Themes |
Major themes prominent among the manuscript contents in alphabetical order. |
Minor Themes |
Other themes of interest among the manuscript contents in alphabetical order. |
Links | |
Bibliography | |
Citation |
“Chawton House 4946, MAN WIL.” Manuscript Verse Miscellanies, 1700–1820, edited by Betty A. Schellenberg, Simon Fraser University, https://mvm.dhil.lib.sfu.ca/manuscript/391. Accessed . |
Created | 2021-06-27 11:31:17 AM |
Updated | 2023-07-20 3:46:00 PM |
Contributor | Role |
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Elizabeth Sarah Wilmot Seton | |
Sarah Morris Wilmot |
Feature | Note |
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Author attributions | Regular; since all original poetry however, attributions are frequently implied rather than explicitly stated. |
Binding | Pre-bound paperbook. Third notebook is smaller, and less than half full. Three loose-cover notebooks. |
Hands | Single, with Sarah Wilmot's signature appearing in the first and second notebook, and footnotes in a later hand, possibly that of James Seton. |
Indications of use | Explanatory notes (eg. in the full title of “To Mr Morris (Mrs Wilmot’s brother) on his Wedding-day Nov:r”) suggest retroactive compilation of the book. Explanatory footnotes in a different hand (eg. “(Valentine Morris of Piercefield Park was at one time Governor & C in Chief of St. Vincent)”). Notebook 1: “From Mrs Wilmot to her Daughter Elizabeth Sarah Wilmot in answer to some verses” has been corrected/ revised, whether at that time or later; “From Mr Garrick to Mrs Wilmot on Doctor Cadogan’s abusing Shakespeare” crossed-out. Notebook 2: Some cross-outs to replace alternative words – seem to be revisions rather than copy errors. Notebook 3: [ff. 8-9] – intervening page cut out, and this item is erased or written over in title and first 4 lines on f. 8, final lines at top of f. 9. |
Item formatting | Notebook 1: Half-pages left empty, tendency to begin new poems on new pages, but shift in some cases later in the book; punctuation absent at the ends of many lines (unlike in other notebooks); device/ signature after each poem except one. Notebook 2: Poems are back-to-back with a small flourish beneath last line of previous poem; punctuation consistent at the ends of lines; every item is dated; line between items; line between titles and first lines. |
Organization | Notebook 2: Order is chronological. |
Original poetry | Yes, all original to Sarah Wilmot/ Elizabeth Sarah Wilmot and their circle. |
Ownership mark | One of the books contains the name “Mr James Seton” in a later hand. Notebook 1: device #1 at end of each poem – looks like an “S” followed by an “e”, with the “S” often seeming to be sideways; device #2 looks more like three formal “S”s with a small “e” flourish at the end. Inside cover labelled in fair hand: “Elizabeth Sarah Wilmot 1771”; verso to index contains note: “Verses written by my Dear Mama Sarah Wilmot at sundry times”; at the bottom of the same page, note in dark ink in another hand: “Mrs. Wilmot of Farnborough Park. Hants. Ob 25 Mar: 1793 at 69. She was dau of Colonel Morris of Piercefield Park nr Chepstow by Elizabeth (ob 23 Sep. 1760 at 62) dau of Nicholas Wilmot.” Notebook 2: Verses are not signed, but in the inside front cover, the “S W” looks like the three S’s of device #2. Inside front cover labelled: “ESWilmot’s Verses 1773,”added in pencil: “Mrs. Wilmot of Farnborough Park & Bloomsbury Square ob 1793 aet 70.” Notebook 3: Same hand has written on inside front cover: “ESWilmot 1776” by the same hand as the first two notebooks– but this has been altered to: “ESWilmot’s Verses,” possibly by James Seton. No signatures to any of the poems in this notebook. |
Page layout | Notebooks 1–2 paginated in folios, notebook 3 unpaginated. Notebook 1: Generous use of space, plenty of half-pages left blank. Notebook 2: All of each page used, never a blank half-page. Notebook 3: More closely written. |
Table of Contents | Notebook 1 yes. Notebooks 2–3 no. |