Anonymous, ca. 1700.

Tie binding.

66 items.

Largely political satire.

Anonymous, ca. 1737–1755. 

17 items.

Political satire; one serious epitaph on Bolingbroke; anti-Hanover and anti-Walpole.

Anonymous; perhaps Thomas Siw---, ca. 1750–1781.

Two sections: a poetry compilation and a commonplace miscellany (ca. 1813–1835)—this entry pertains only to the first section.

96 items.

Interest in women’s self-assertion, poems by Cambridge men, and Latin and Greek. Sources often identified as manuscripts or magazines.

Anonymous, ca. 1730.

Additions and annotations possibly by a second hand in 1730s.

39 items.

Centred on Swift and Pope, with a few items about them by others, and a few additional satires.

Anne Milbanke, ca. 1795.

33 items.

Mostly original poetry with multiple pseudonyms, some seemingly later published in Gentleman's Magazine. Interest in historical and contemporary tragic figures e.g. Marie Antoinette.

Gabriel Lepipre, ca. 1744–45. 

252 poems.

Mostly sociable verse, especially arising out of interactions with women, and public affairs. 

Anonymous Jacobite, ca. 1714–1745.

4 volumes, 291 items.

Manuscript collection of Jacobite political satires and poems on public affairs.

Anonymous, ca. 1780–1790. 

Around 100 pages. 

Mainly occasional, comic, and sentimental poems by late eighteenth-century authors. Also includes a number of items related to Samuel Johnson and his circle.

Charles Parr Burney, ca. 1803. 

354 pages.

Primarily elegies, love poems, and occasional verse, with some patriotic and religious verse, and short comic verses. 

A large section copied from a Crewe Hall album composed during the 1780s, reflecting the work of the Crewe coterie. 

Miss Hooper, ca. 1810–1820. 

Approximately 80 poems.

Poems, epigrams, and a number of occasional verses attributed to members of Charles James Fox's social circle, several of which are concerning his death. 

Member of Pigott family, ca. 1750.

117 poems in two consecutive hands.

Jacobite poetry.

Thomas Phillibrown, 1740–1757.

Divided into sections according to odd and even numbered pages.

152 poems.

Very London oriented (Public affairs, local interest, celebrities). 

Reflects a mid-century coterie centering around John Hawkins and Moses Browne.

Gabriel Lepipre, ca. 1750. 

246 poems. 

Good example of miscellany as autobiography; also includes lots of epitaphs.

William Taylor of South Weald, ca. 1730.

61 poems.

Miscellaneous poetry collection including many Latin and Jacobite-related poems, in addition to original poetry. Irregular folio numbering suggests a post-bound compilation.

Augusta Byron Leigh, 1805–1813.

101 poems.

Lots of poems on celebrities, poems by Byron. 

At least partially compiled by Frances, Viscountess Montague, begun ca. 1745.

93 poems.

Mildly moral and cynical about public affairs, social behaviours.

E.L.T. Bale, ca. 1730–1740 (possibly begun as early as 1710s though). 

This entry concerns the poetry end of the manuscript only.

48 poems.

Poems from popular periodicals, a few Latin poems, and a series of Horatian odes versified in English.

Francis Hawes, 1720–1760.

An ambigraph volume with poetry on both ends. This entry is concerned with the two ends of the volume only, not the middle (recipe) section which is in another hand.

165 poems.

Political satire poems in the style of early eighteenth-century; satire of court manners and prominent women. Many poems that mention Bath.

Anonymous Irish officer, ca. 1810–1830.

28 poems.

Many local interest pieces and political satire.

William Mitchell Sale, ca. 1756.

106 poems.

Early eighteenth-century satire, later comic poetry, love poetry, several lengthy Pope poems.

Charles Plumptre ca. 1730.

79 poems.

Includes school exercises; some poems possibly from friendship circle that includes John Hoadly and Isaac Hawkins Brown; could be connected with Newcombe’s school in Hackney; satires on women; poems by Lady Mary Wortley Montagu.

John Brewster, ca. 1770–ca. 1810.

130 poems.

Frequent epitaphs, poems on death. 

Anonymous, 1786–1798.

120 poems.

A very feminocentric collection with many female-authored works.

Manuscript appears connected to the Cavendish-Ponsonby-Crewe network; the Tighe family; the Ladies of Llangollen

Henry Jodrell, ca. 1780.

Ambigraph book with Shakespeare plays at one end, poetry at the other. Given the limited number of entries, the poetry end was perhaps abandoned.

12 poems.

Anonymous, 1724–1728.

109 poems.

Almost entirely early eighteenth-century poetry. Many contemporary satirical pieces, and items from Mist's Weekly Journal.

A.T.W, 1793–ca. 1800.

A lot of retrospective editing including comments and cross-outs. 

153 poems.

Many poems by or about important figures of literature and the stage; also epitaphs, inscriptions and letters; many poems by women.

Caroline Kilderbee, 1812–1863.

245 poems.

Mostly satirical items; great interest in celebrities.

Verses collected by John Dixon ca. 1780–1817, then copied posthumously by his daughter, Judith Dixon Beecroft.

Six volumes.

Popular eighteenth-century poetry.

Anonymous, ca. 1800.

42 items, 25 poems.

Contains four page "Follies and Vices" set, and five poems by members of the Della Cruscans.

Hester Lynch Thrale Piozzi, 1810–1814.

Five volumes for her adopted nephew, but only the first three are primarily poetry, and therefore considered manuscript verse miscellanies. 

Largely original occasional poems accompanied by prose biographical material and information about the circumstances of each item's composition. 

Melesinda Munbee (seemingly transcribed by Elizabeth Munbee), 1749–1750.

A manuscript verse miscellany assembled in childhood, based on a father's library. 

Two volumes, 44 poems.

Many items by Swift; other bawdy contents.

Hester Thrale Piozzi, ca. 1818.

183 poems.

Mostly other authors, some original work, often addressed to her daughters.

Anonymous, 1724–1729, with additional items copied in the 1690s and early 1730s. 

A book bound subsequent to copying.

115 poems.

Contains a Historical Dialogue in Scripture, as well as addresses, ballads, epigrams, epitaphs, extracts, poems and verses. Interest in literary celebrities like Pope and Swift.

Rose Tavern circle. 

Anonymous, ca. 1775–1810.

130 items.

Pieces from Garrick's memoir and other prose with a record of Wyvill-G—ll coterie's poetic exchanges in the middle.

Anonymous, ca. 1745–1780.

An example of a collection that includes print paste-ins, perhaps added at a a later date onto the blank pages.

90 items, 48 poems.

Post-1745 Jacobite-related material.

George Scott, 1728–1779.

Consecutive hands (George Scott is the second hand) seemingly linked by a Miss Verney who becomes Mrs. Bowes, then a Miss Bowes in part two.

99 items.

The first section contains quite a few poems by women; the second half sees a shift to copying newspaper items, many of which are attributed. 

Joshua Peart, 1726.

256 poems.

A large eclectic book with a special concentration of pastoral poems and songs, political satire and other poems about politicians, and humorous poems; also contains multiple poems about alcohol and tobacco.

Anonymous, ca. 1769–1790.

152 poems.

Bound-with The New Bath Guide (1766).

Celebrity-centred manuscript verse miscellany, with a particular focus on Samuel Johnson, Hester Thrale Piozzi, David Garrick, Peter Pindar, and Horace Walpole.

John Liptrott, ca. 1786. 

215 items, 151 poems, many of which are introduced with lengthy prose anecdotes or critical prefaces. 

Contents include satires of social issues and political corruption, historical anecdotes supporting Church of England, nature poetry, recollections of favourite dogs.