Anonymous, though several items related to Pettiwards, ca. 1767–1783.

107 items (30 prose).

Pet poems; very miscellaneous prose items including a description of masquerade ball in Lincolnshire attended by Peart-Bate coterie members.

Anonymous graduate of King's School, Canterbury and student at Cambridge University, ca. 1760s.

7 items.

Most items related to King's School and Cambridge, seemingly all original.

Anonymous, ca. 1712.

15 items.

Comic and satirical poems, often political; items directly related to political issues of late reign of Queen Anne.

Original productions of the Oxford-Winchester school circle.

Anonymous, late 1720s.

22 items.

Satirical (including an excerpt from Gulliver's Travels) and many poems on domestic animals. Includes references to Irish affairs. 

Anonymous, 1728.

79 items.

Primarily witty poetry, both high and low; some serious political and moral poems.

Anonymous, ca. 1798.

Miniature book with elaborate illustrations, perhaps for children.

17 items.

Includes a song in Cumberland dialect and material from Poor Robin's Almanac.

Richard Chaloner Cobbe, ca. 1753.

Thick boards seemingly worn by use. 

67 items.

Seems reflective of an Oxford circle of male poets.

Latin poetry, bawdy satire, and poems about women.

Anonymous, ca. 1730.

Additions and annotations possibly by a second hand in 1730s.

39 items.

Centred on Swift and Pope, with a few items about them by others, and a few additional satires.

Charles Earle, ca. 1750–1770. 

96 items.

Original epitaphs, occasional poetry, prayers, and letters.

Anonymous, late eighteenth-century.

29 poems on the First Line Index.

Collection of poems by various authors, riddles, parodies, etc.

Anonymous, ca. 1780–1790. 

Around 100 pages. 

Mainly occasional, comic, and sentimental poems by late eighteenth-century authors. Also includes a number of items related to Samuel Johnson and his circle.

Anne Taylor, around or after the 1790s. 

23 poems.

Verse extracts and original poems, many about death. One Jacobite poem, a couple poems about children, and some social satire. 

Anonymous, ca. 1810–1820.

50 poems. 

Many poems with naval themes, accompanied by illustrations and watercolours of ships and harbours; also includes comic epitaphs, and songs with manuscript music voice settings.

John Waite, ca. 1800.

In a single hand up to f. 139 when two other hands take over for the last twenty folios. This entry considers only the first hand's section of the manuscript. 

139 folios.

Lyrics, fables, and occasional verse. Multiple poems about violets. 

Miss Hooper, ca. 1810–1820. 

Approximately 80 poems.

Poems, epigrams, and a number of occasional verses attributed to members of Charles James Fox's social circle, several of which are concerning his death. 

Benjamin Finn, ca. 1790. 

26 poems.

Occasional poetry, many copied from newspapers and dated. Mainly satirical, lighthearted verse, often political; several epigrams and poems about death and/or illness.

P. Simpson, 1790–1793.

90 poems.

Mostly eighteenth-century poetry, namely conduct poems, pastoral poems, poems about the poor, epitaphs, and epigrams.

Joseph Taylor, 1799.

About 389 pieces of verse and prose. 

Satirical as well as sentimental and elegiac perspectives on the subjects of love, women, religion, and death. Also contains numerous humorous epigrams and epitaphs.

Daughter or granddaughter of Elizabeth Amherst Thomas, 1798.

46 poems.

Entirely original Elizabeth Amherst Thomas poems compiled retrospectively, often whimsical, witty, resisting stereotypes about women.

Gabriel Lepipre, ca. 1750. 

246 poems. 

Good example of miscellany as autobiography; also includes lots of epitaphs.

Mary Tadwell, 1744–1761. Taken over by John Watson Tadwell in a clear effort to continue/complete Mary Tadwell's work.

Three volumes composed roughly chronologically.

167 poems.

Contents heavy on riddles, acrostics, songs; frequent country-city theme, but with no sense of a specific country locality.

William Taylor of South Weald, ca. 1730.

61 poems.

Miscellaneous poetry collection including many Latin and Jacobite-related poems, in addition to original poetry. Irregular folio numbering suggests a post-bound compilation.

Samuel Greatheed, 1772–1773.

24 poems.

A good example of a miscellany by one author/compiler; includes some imitations and translations.

Ann Bromfield, ca. 1740–1748.

42 poems.

Sentimental poetry, epistolary fiction.

J. Andrew, ca. 1778–1789.

691 items, 576 poems.

All epigrams.

Catherine Springett (with contributions by her daughter and granddaughter, Mary Boys and Mary Sankey), ca. 1742–1749.

149 poems.

Quite a few enigmas, riddles, but mostly poems, almost all contemporary. Seemingly indicative of a coterie with original poetry by "T.T." and other friends.

Mrs. Stapleton for Miss Mary Arnold, ca. 1780s–1790s. 

212 poems.

A gift for formal or informal educational use. A lot of riddles and poems about flowers; emphasis on items written by young ladies. Most items about or intended for women.

John Sanderson, 1787–ca. 1816, with one entry from 1832.

Four volumes, but this entry concerns only the first three (the poetry miscellanies).

121 poems.

Translations of Latin poetry, humorous poetry, apparently all original.

Rae family, ca. 1800.

151 pages.

Collection of epitaphs from gravestones and published sources.

Charles Plumptre ca. 1730.

79 poems.

Includes school exercises; some poems possibly from friendship circle that includes John Hoadly and Isaac Hawkins Brown; could be connected with Newcombe’s school in Hackney; satires on women; poems by Lady Mary Wortley Montagu.

Horatia Nelson (16 years old), 1817.

100 poems.

Quite a banal book but a good indication of what poetry was popular, including some poems on the Napoleonic wars, and Irish/Scottish materials.

John Brewster, ca. 1770–ca. 1810.

130 poems.

Frequent epitaphs, poems on death. 

Anonymous, ca. 1799-1803.

Ambigraph volume with poetry beginning at one end and prose anecdotes, mainly biographical, at the other. This listing pertains only to the poetry end of the manuscript. 

288 poems.

Miscellaneous and short poems, mostly extracts, epitaphs, and epigrams.

Anonymous, 1818–1823.

Solutions given for riddles and anagrams, suggesting the book's use for social reading and games.

355 items, 200 poems.

Swings from sentimental/tragic to lightly comic, but no really cynical poetry – mostly sentimental or clichéd humour.

Anonymous, ca. 1750. 

36 items.

Chiefly epigrams and satirical verse.

Anonymous, ca. 1773-1806.

Crowded, no margins, looks more like a commonplace book than a usual poetry miscellany.

361 poems.

Enormous amount of material compiled over many years roughly chronologically.

Mary Gay, 1801–1809.

324 items.

Preference for humorous pieces; some riddles. 

Anonymous, ca. 1800.

42 items, 25 poems.

Contains four page "Follies and Vices" set, and five poems by members of the Della Cruscans.

Anne Milles, ca. 1715.

21 poems.

Opens with a drinking song; not too serious a book in general. 

Sambrooke Freeman, 1737.

Resembles a scrapbook; includes hand-coloured print illustrations.

95 poems.

Copies of verses, riddles, short stories, and newspaper clippings.

Thomas Ingoldsby (also known as Richard Harris Barham), 1808.

Poems, paraphrases, epigrams, and conundrums in English, French, Greek, and Latin.

Melesinda Munbee (seemingly transcribed by Elizabeth Munbee), 1749–1750.

A manuscript verse miscellany assembled in childhood, based on a father's library. 

Two volumes, 44 poems.

Many items by Swift; other bawdy contents.

Hester Thrale Piozzi, ca. 1818.

183 poems.

Mostly other authors, some original work, often addressed to her daughters.

Anonymous, ca. 1775–1810.

130 items.

Pieces from Garrick's memoir and other prose with a record of Wyvill-G—ll coterie's poetic exchanges in the middle.

Anonymous compilation of poems by Peter Pinnell, ca. 1749–1790.

59 items.

Example of a one-author collection followed by a short section of poems by different authors.

Anonymous, ca. 1770–1790.

Very good example of attributions of magazine sources.

117 items.

The first half is a very eclectic mix with many epitaphs, Latin doggerel, riddles, prose pieces, etc. interspersed with the poems. The second compiler seems primarily interested in jokes, parodies, quirky items. An apparent interest in Oxford-related items.

Joshua Peart, 1726.

256 poems.

A large eclectic book with a special concentration of pastoral poems and songs, political satire and other poems about politicians, and humorous poems; also contains multiple poems about alcohol and tobacco.

Anonymous author, ca. 1758-1776. 

122 items, 77 poems.

Gentle satires of love, manners, morals, and thoughtlessness about life's brevity; also humorous and sentimental poems.

William Tighe, ca. 1815.

25 poems.

Mainly light-hearted original poems on such subjects as love, theatre, and furniture.