Beinecke Osborn fc183
| Title | A Collection of Pieces &ca in Prose and Verse. Selected from the most approved Authors, P. Simpson 1792. |
|---|---|
| Archive | Beinecke Rare Book & Manuscript Library |
| Call Number | Beinecke Osborn fc183 |
| Complete | Yes |
| Description | P. Simpson, 1790–1793. 90 poems. Mostly eighteenth-century poetry, namely conduct poems, pastoral poems, poems about the poor, epitaphs, and epigrams. |
| Format | Folio |
| Book Size | 33.2cm x 20.9cm |
| Filled Page Count | 245 pages |
| Item Count | 95 |
| Poem Count | 90 |
| Periods | |
| First Line Index | No |
| Digitized | No |
| Region | |
| Additional Genres | Prose - narrative |
| Print Sources | |
| Major Themes |
Major themes prominent among the manuscript contents in alphabetical order. |
| Minor Themes |
Other themes of interest among the manuscript contents in alphabetical order. |
| Links | |
| Bibliography | |
| Citation |
“Beinecke Osborn fc183.” Manuscript Verse Miscellanies, 1700–1820, edited by Betty A. Schellenberg, Simon Fraser University, https://mvm.dhil.lib.sfu.ca/manuscript/126. Accessed . |
| Created | 2019-09-04 1:13:44 PM |
| Updated | 2024-01-13 3:00:23 PM |
| Contributor | Role |
|---|---|
| George Crabbe | |
| John Pomfret | |
| Alexander Pope | |
| P. Simpson |
| First Line | Context |
|---|---|
| Father of All! in every Age |
pp. 222–224 Local title: The Universal Prayer. Attributed author: Pope. Adaptation: n/a Other variants: n/a Other: n/a |
| The Curfew tolls the Knell of parting Day |
pp. 225–230 Local title: An Elegy, written in a Country Church Yard. Attributed author: Gray. Adaptation: n/a Other variants: n/a Other: n/a |
| Feature | Note |
|---|---|
| Author attributions | Frequent. |
| Binding | Pre-bound paperbook. No writing into the gutter; two paper additions inserted at the end. Contemporary half calf over marbled paper boards. |
| Catchwords | Yes, occasional. |
| Decorations - hand-drawn | Interesting bird devices to mark the ends of items on pp. 164 and 176. Manicule at the end of p. 153 next to an annotation. |
| Hands | Single, calligraphic. |
| Indications of use | Two small loose-leaf love poems inserted at the end of the book, one potentially pasted to what would be p. 245: “A Song” and “My Friend & Pitcher/ A Song in the Poor Soldier.” Cross-outs are very rare—this is a fair copy book. One exception is the author attribution for “The Hermit” (p. 80), which was originally attributed to Beattie, then corrected to say Parnell. Occasional contextual annotations. |
| Item formatting | Calligraphic titles. Various swirls and devices between items. Lines between sections of poems. |
| Organization | pp. 167–171 section of epigrams; pp. 177–8, 180–81 features three poems related to the Duchess of Devonshire. |
| Ownership mark | Name on the title page. |
| Page layout | Full but not crowded pages. Paginated by the compiler—"Page —". |
| Table of Contents | Yes, three pages following the title page. |
| Title page | Yes. The title page features a red border (the only coloured ink in the manuscript). There is also a half-title page before the title page which reads, "Selected Pieces from Various Authors. November 25th, 1790.” |