Anne Heigham, 1781–ca. 1785. 

38 items.

Includes multiple female authors, son's tribute to mother at the end of the book, and epilogues presumably spoken at local productions.

Polite poetry.

Mrs. Ogle, ca. 1747.

32 items.

Sequence of names and hands suggests it was originally a book of 24 poems compiled by Mrs. Ogle as a gift; then the recipient, possibly Mary Dyott, added 8 items, and a later hand contributed a few additions.

Lighthearted poems about love; some satire of manners, marriage.

Anonymous, late 1720s.

22 items.

Satirical (including an excerpt from Gulliver's Travels) and many poems on domestic animals. Includes references to Irish affairs. 

Anonymous, 1728.

79 items.

Primarily witty poetry, both high and low; some serious political and moral poems.

Anonymous, ca. 1760.

Unbound.

103 items.

Broad range of subjects organized thematically (e.g. divine poems, hymns, drinking themes, court characters, etc.) 

Richard Chaloner Cobbe, ca. 1753.

Thick boards seemingly worn by use. 

67 items.

Seems reflective of an Oxford circle of male poets.

Latin poetry, bawdy satire, and poems about women.

Anonymous, ca. 1730.

Additions and annotations possibly by a second hand in 1730s.

39 items.

Centred on Swift and Pope, with a few items about them by others, and a few additional satires.

Anonymous, late eighteenth-century.

29 poems on the First Line Index.

Collection of poems by various authors, riddles, parodies, etc.

Arabella Browne, 1728.

28 poems.

Primarily epitaphs and songs, many satirising women and marriage.

Possibly Miss Martyns, ca. 1730–1750. 

130 poems.

Secular and religious verses from contemporary authors.

E.H., early nineteenth century.

23 poems.

Primarily sentimental subjects such as death, religion, and family, with a few more satirical entries.

Frances Glanville Boscawen and Julia Evelyn, begun in 1746.

120 poems.

Popular and original poetry on various themes. Large section of Lady Mary Wortley Montagu.

Thomas Phillibrown, 1740–1757.

Divided into sections according to odd and even numbered pages.

152 poems.

Very London oriented (Public affairs, local interest, celebrities). 

Reflects a mid-century coterie centering around John Hawkins and Moses Browne.

Gabriel Lepipre, ca. 1750. 

246 poems. 

Good example of miscellany as autobiography; also includes lots of epitaphs.

At least partially compiled by Frances, Viscountess Montague, begun ca. 1745.

93 poems.

Mildly moral and cynical about public affairs, social behaviours.

Samuel Greatheed, 1772–1773.

24 poems.

A good example of a miscellany by one author/compiler; includes some imitations and translations.

Anonymous, ca. 1748–1750. 

Two consecutive hands within a short compilation period.

67 poems.

Many popular poets, themes of women and local interest.

Elizabeth Munbee, 1745.

16 poems.

Miscellaneous collection of poems by popular poets like Samuel Wesley, Jonathan Swift, Alexander Pope, and Nicholas Rowe.

J. Andrew, ca. 1778–1789.

691 items, 576 poems.

All epigrams.

John Baptist Rasi, 1781.

15 poems.

All Alexander Pope poems, some written out in their entirety.

William Mitchell Sale, ca. 1756.

106 poems.

Early eighteenth-century satire, later comic poetry, love poetry, several lengthy Pope poems.

Charles Plumptre ca. 1730.

79 poems.

Includes school exercises; some poems possibly from friendship circle that includes John Hoadly and Isaac Hawkins Brown; could be connected with Newcombe’s school in Hackney; satires on women; poems by Lady Mary Wortley Montagu.

Emma Puleston, ca. 1819–1822.

Decorated with watercolours.

147 items, 100 poems.

Many very short sayings, and items related to Waterloo and the Irish rebellion representing a patriotic British stance. 

Caroline Kilderbee, 1812–1863.

245 poems.

Mostly satirical items; great interest in celebrities.

Anonymous, ca. 1741.

147 poems.

Many epitaphs, epigrams, and satires.

Daniel Wray circle.

Anonymous, ca. 1750. 

36 items.

Chiefly epigrams and satirical verse.

Mary Gay, 1801–1809.

324 items.

Preference for humorous pieces; some riddles. 

Anonymous, ca. 1735.

15 poems.

Lots of ballads. 

Benjamin Church, 1750–1752.

16 poems.

Mainly satirical poems by group of Harvard students. 

Rev. Thomas Austen, 1760.

Three volumes, only the first two of which are manuscript verse miscellanies, and therefore included in this entry.

768 poems. 

A real variety of contents. The first volume revolves around poems about various natural elements and experiences of country life. The second volume

Smyth family of Heath, ca. 1710–1806.

This entry concerns only pp. 1-239 which consists of two hands, the second replacing the first but adopting the first hand's format. The second hand is also responsible for the index. All in all, however, the book is a sequence of at least six single-hand compilations.

173 items.

Political satire (Tory perspective), Oxford affairs, Wakefield-area affairs.

E. Beardwell, 1724.

31 poems.

Pastorals, georgics. 

Benjamin Coles, ca. 1729–1741.

A more mixed book compared to Lt 53 which is by the same compiler, and entirely devoted to poetry.

108 items, 66 poems.

Many songs, religious poems.

Anonymous, ca. 1715.

72 items.

Essentially the "greatest hits" of Finch, Granville, and Waller, with some Pope thrown in. 

James Gollop, ca. 1715. 

Possible example of a socially humble compiler, an aspirational book.

26 items.

Generally very common love poems and descriptive poems, common choices for a non-political miscellany of the early decades of the century.

Joshua Peart, 1726.

256 poems.

A large eclectic book with a special concentration of pastoral poems and songs, political satire and other poems about politicians, and humorous poems; also contains multiple poems about alcohol and tobacco.

Anonymous, 1715–1717.

318 poems.

Diverse collection of poems, with a significant number of poems satirising women and marriage; also interested in the classics, public affairs, literature, Oxford, theatre, and religious satire.

Anonymous author, ca. 1758-1776. 

122 items, 77 poems.

Gentle satires of love, manners, morals, and thoughtlessness about life's brevity; also humorous and sentimental poems.

John Liptrott, ca. 1786. 

215 items, 151 poems, many of which are introduced with lengthy prose anecdotes or critical prefaces. 

Contents include satires of social issues and political corruption, historical anecdotes supporting Church of England, nature poetry, recollections of favourite dogs.